![]() ![]() She thus calls for a remapping of ethics in what Annette Wieviorka has described as “the era of the witness. By crafting a narrative voice that is problematic, monologic, and ultimately appropriating, Mootoo illuminates weighty issues that strain the fabric of “trauma studies,” as well as social and political life more generally. The novel recounts the story of an old lady named Mala Ramchandin through the narrative of Tyler, a nurse at Paradise Alms House. The narrator’s piecing together of fragmented memories and utterances problematically integrates multiple accounts into a single overarching voice that equates traumatic experience with a repetition of victimization. Cereus Blooms at Night (1996) is the first novel published by film-maker, artist, and writer Shani Mootoo. Here, perpetrators identify as victims, victims identify as perpetrators, and accountability becomes a blur. ![]() Shani Mootoo’s novel Cereus Blooms at Night provides clear examples of the ethical problems formed between witness and victim within an overarching framework of victimization. Queer people and characters disrupt the colonial legacy in the Caribbean and this paper with explore the. Contributing to what Dominick LaCapra has identified as the institutionalization of trauma studies in the humanities, Margaret Atwood once identified survival, colonization, and hardship as the primary experiences of “Canadian-ness.” Many writers have since exposed fundamental flaws in this model. Cereus Blooms At Night Character Analysis. ![]()
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